a blog of arts, crafts, and architecture
Some people come into your life just to teach you how to let go
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(Source: smilingbullfrog)
Bio-light…light fixture that runs on bacteria.
(via natureoflight)
(via intentionsintension)
God’s plan
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(Source: spiritualinspiration)
“Waiting For A Sign” by Armi Millare/ Loudbox Studios
Lyrics:
And I’ll hold my breath just until the train stops. Then I’ll count to ten. Maybe I’ll see raindrops as I’m waiting for a sign.
The cat wakes me up a minute before the alarm goes. I can tell myself won’t need him to say so. Waiting for a sign
Lean on to me don’t ever look back again no never ‘cause I am waiting forever. This is more than a sign, I am here and you’re mine.
If he takes me out and we talk til midnight. And he holds my hand til then I’ll just sit tight. Just waiting for a sign.
“Anong hihintayin mo?Yung magkaroon sya ng sign dito sa noo nya nakalagay Date Tayo?”
~Nestle Philippines Kasambuhay Habambuhay Short Film Anthology:
“Sign Seeker”.
- Watch the film, “Sign Seeker” here. :D
- The song in this video was not the full version. I hope they will release an album containing all the soundtracks of Nestle’s short film anthology Kasambuhay Habambuhay. Haha.
“Fall of Fate”
Inspired by Up Dharma Down’s Tadhana. ♥
(Source: lunarstrawberries, via uddcommunity)
architect as embroiderer?
Ornament is a crime” wrote Adolph Loos in 1908. This sentence was opening one century of disdain for architecture’s aesthetic developed by modernism. A hundred years later, a School claims for an embrace of ornament via computation. This approach of architecture is highly debatable since it seems to fully accept the role of the architect as only a embroiderer who would be able to express his creativity in non-essential elements (just like the French law which plans that 1% of every public building’s budget should be dedicated to a piece of art).
Synthetic Syncretism by Tobias Klein
(via archisketchbook)
Installation in the Greek pavilion of the 2012 Venice Biennale, by AREA Architecture
AREA’s Athens Charting installation at the 2012 Venice Biennale - Greek Pavilion unites four Athens city blocks into one, giant public space, in the form of a 3.3m x 2.5m paper model. Part urban survey, part spectacle, the model is entirely hand-drawn with blue ink on white paper. Representing the city as a continuous surface that is, nevertheless, heterogeneous and culturally inscribed, the model seeks to engage the dynamic and rapidly changing context that characterizes Greek cities today.
(via dryroastedarch)
